Eudos, Imperial theater
Lysandria's discussion with the foregin dignitary was like a dance, cortious, elegant, a perfect back and forth between question and answers. She did her best to maintain a diplomatic composure amid the endless barrage of inquiries.
"What fields are most researcher in Kalidora? This is an interesting answer. There used to be a time when Philosophy was the Queen of all subjects, and I'm sure the old Erudite will argue till your ears bleed that this is still the case 'for there is Philosophy in every discipline' or something like that. However, in recent times, Engineering alongside biology and several sectors of sociology as well as urban planning have gained academic appeal. The vast increase in environmental consciousness has made any field related to it gain a much louder voice to the Basilius' ear. However, if you tune in to the Galactic Soap Operas that play every night on FONI you'll find ourosnauts and their journey across the galaxy has enamored the nation. Perhaps Kalidora's future lies in the stars." This seemed to satisfy Antia's interminable curiosity.
"Councilor, do not confuse the Bassilium's soft words for a soft hand. They are tacking over while a bloody civil war is still within popular consciousness. Transition processes are most unstable. As for non-domestic military operations, that remains to be seen. Kalidora will secure it's interests abroad, though bloodshed should be avoided as much as possible. We do not want another Syracusan expedition on our hands." This too seemed to quench the Carmouran thirst for knowledge.
The last question was most puzzling. "How progressive is Kalidora?". This reminded Lysandria of structuralism debate she once had in linguistic class. Words, and signs gain their meanings by how they are different from one another. Kalidora's progressiveness could be seen in similar light. Representatives from the Union might argue that Kalidora's progressiveness is a fluke. "More non binary war criminals" they would probably reply. Yet, compared to more traditional nations, Kalidora was a beacon of progress. "That's a hard question to answer Councilor. The Bassilium has almost divine authority. Challenging them openly is bad idea. Moreover, historically, Kalidora has not had traditional gender norms. The Gods of Old had plenty of homosexual and gender non conformity. That is no to diminish the ascent of Philon. I am afraid that's the best answer I can give, you'll have to find your own answers on that front."
And with that the delegation made their way to the play.
The Thespian Thinker
New Theatrical Troubles
Cratinus the Younger has prepared a stunning play, a re imagining of the Illyria, a great tale about hubris, humility and finding meaning in a chaotic world. The main character, Omeka comes home from his Odyssey to find his home in ruins. His mother is sick and bedridden, and his father has had to exile himself for slandering the gods, blaming them for his wife's failing health. From there, he uncovers a conspiracy between his siblings, each beleiving another responsible for the poisoning of their mother. In the original, Omeka faced numerous monsters, including the all seeing Triclops, and Phaea with his serpentine tongue. Omeka re imagines these as more ordinary, and in turn much more freighting monsters. They challenge Omeka's moral core on a way few stories ever try to challenge their heroes. In the end, Omeka is able to reestablish order in his life, though some sacrifices had to be made along the way. Audiences are sure to be left resonating with Omeka's struggles, as we can all identify with different moments of this character's journey.